“ego breathing”. By Brigitte Wilfing

On my residency at ADC Genève I started out by researching the movement in my new piece ego breathing. This piece is based on a fictional scenario (although it is growing steadily less fictional in today’s world), in which even air, the last thing shared by everyone, becomes privatized.

Brigitte Wilfing_ego breathing_ © Michael Schultesego breathing is a performance and a living installation that presents an existential state of being revolving around the basic life sign of breathing and the will to grow as large as one can and to take control of as much surrounding space as possible.

The process of inflating oneself with a pneumatic skin restricts the biological body in a way that determines its movement as well as breathing itself. The breath is used to inflate the second skin and the performer’s extended muscles, breasts and even lungs store air. Continue reading

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Interview with La Zampa

Romuald Luydlin talks about “Spekies” and the artistic collaboration with Magali Milian, both members of the company La Zampa.

Interview done during the residency done at Graner (Mercat de les Flors) in Barcelona in November 2013.

La Zampa is one of the modul-dance artists. Proposed for the project by CDC Toulouse, the company was selected in 2011 to develop a project named “Spekies”. The piece was premiered a few days ago at CDC Toulouse.

More modul-dance videos on www.numeridanse.tv.

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Modul-dance experience. By Leja Jurišić

Summer 2010, Ljubljana, Slovenia

Goran Bogdanovski (Kino Šiška, Slovenia) invited me to present my proposal of a new dance work to dance house partners of the European project modul-dance. He explained me the project and I said yes. The possibility to research, create and tour the piece among the participating houses sounded great. I immediately knew what I want to propose. There was a solo piece I wanted to do for some time now. My debut choreography was a solo, and I felt, that after several collaborative and group projects, the time was right to return to this format. I even had the perfect team in my mind for the work.

The end of September 2010, Lyon, France

Meeting of the representatives of all 22 dance houses participating in the project and artists which were invited to present their proposals. Three Days. During the day we had conferences and in the evenings we watched performances at Lyon Dance Biennial. It was great to meet in person all the artists and all the representatives. The construction and goals of the project were presented. All 22 artists shortly presented their work and proposals. Interesting people. There was a little stage with the screen where we saw mainly videos of performances that artists present. The conference hall with a little stage! The idea of talking from behind the desk didn’t appeal to me very much, as the stage is much more the place, which I know and understand. I decide to do my presentation in a format of presentation- performance. This is what I do and what I do best. Good choice. I got some nice offers for creating my new work. What I liked the most was that after the presentation we (the artists) had our own desks where presenters could come to meet us and to show their interest.

With the feeling of being taken care of as an artist, even kind of belonging, and more, getting offers for creating a new solo piece we flew back to Ljubljana. I felt very sick on the plane. Never happened before. No worries. Continue reading

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The creation of “Home for Broken Turns”. By Ben Duke

We began the creation of Home for Broken Turns at Station Zuid in Tilburg. We had two weeks in their fantastic studio. It was a new group of dancers so it was a time to meet and explore ideas. To begin a process in a residency situation like this is, I find, invaluable. The process of getting to know each other is accelerated when you are removed from your usual environment and living together in a bungalow in the Dutch woods. I had an idea about a group of women waiting for a friend/fellow/outcast to return but those two weeks in Tilburg made it clear to me that this was a piece about a family and the dynamics of that family formed in the Station Zuid studio.

Our second modul-dance residency was more familiar to us. We spent a week at the Place Theatre in London. It was a privilege to have so much time in a theatre space and to work with the technical elements of the show.

Continue reading

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Kaori Ito: my current Situation

On March 2011 the first modul-dance newsletter included the following text written by Kaori Ito.

“My current situation is that I was in Tokyo and I am in Tokyo and I am in Tokio”.

When there was a huge earthquake, I was in front of the sea in Yokohama. The water came up until the limit of the building but somehow it went down. I was still teaching under the danger of nuclear for a while and now there is no light and water in some regios of Tokyo, the radiation of nuclear is getting worse everyday. Continue reading

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A cooperation model: a network for trust and collaboration between dance houses

The 20 dance houses participating in modul-dance come from 16 European countries. They all work together through a trans-institutional exchange network in order to support, both innovative and culturally diverse, dance art beyond frontiers.

Modul-dance is one of the projects run by the European Dancehouse Network (EDN), which is the umbrella organization for most of the modul-dance project partners.

The aim and mission of the EDN is to promote and present dance and artists cross borders and promote the professional development of dance artists, dance infrastructures and dance as an art form, by drawing on the experience and strengths of each network partner.

www.ednetwork.eu

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Modul-dance partners

The 20 dance houses participating in modul-dance come from 16 European countries.

adc Genève [CH] (associated partner)
Art Stations Foundation Poznań [PL]
CDC Toulouse [FR]
CND Paris [FR]
Centro per la Scena Contemporanea Bassano del Grappa [IT]
Dance Gate Lefkosia Cyprus [CY]
DanceIreland Dublin [IE]
Dansens Hus Stockholm [SE]
Dansehallerne Copenhagen [DK]
DeVIR/CAPa Faro [PT]
DDRC Athens [GR]
HELLERAU-Europäisches Zentrum der Künste Dresden [DE]
Kino Siska Ljubljana [SI]
Maison de la Danse Lyon [FR]
Mercat de les Flors Barcelona [ES]
Plesna Izba Maribor [SI]
Danshuis Station Zuid Tilburg [NL]
Tanzhaus NRW Düsseldorf [DE]
Tanzquartier Wien [AT]
The Place London [GB]

Click here to know more about the partners

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An arts management model: the modular system

In most European countries independent dancers and choreographers lack suitable structures and financial means to develop their creations and promote themselves in front of new audiences.

One significant determinant of quality in dance art creation is the length of time required for the careful preparation and completion of the different phases of the process.

Most independent dance artists and companies receive only limited local subventions for their productions, which are often produced and presented within a very short period of time.

Modul-dance has been created and structured to address artists’s needs during their process of creation and allow them to make itineraries across Europe.

Accordingly, the core of the project is the modular system, an organized model of support for dance art, creation and dissemination.

Every participating artist has the opportunity to work with at least 3 different partners while going through 4 module phases:

Research: During a 2-4 week research period, artists are invited to create and/or develop a concept, gather materials, partners and exchange information with the local dance/arts community, looking at locations, venues and political aspects.

Residency: During a period of 3-8 weeks, the selected artists and their artistic collaborators involve themselves in the creation of a new work by exploring their ideas.

Production: Over a fixed period of 4-8 weeks, the selected artists’ full companies, based in a studio, develop and produce the project to get it ready for presentation.

Presentation: The artists premiere and present the piece developed during the project, relating it to an audience.

This systematic approach ensures mobility and new experiences and also a process of dialogue leading to joint decision-making, valuable for the participants’ artistic development and dissemination of their projects.

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Who are the modul-dance selected artists?

Click on the names to know more about the 52 modul-dance selected artists.

Agata Maszkiewicz [Poland]
Alessandro Sciarroni [Italy]
Alexandra Waierstall [Cyprus]
An Kaler [Austria]
Angie Hiesl & Roland Kaiser [Germany]
Anita Wach [Poland]
Anne Juren [Austria]
Antje Pfundtner [Germany]
Arno Schuitemaker [The Netherlands]
Ben Duke/Lost Dog [United Kingdom]
Ben Riepe [Germany]
Cláudia Dias [Portugal]
Coraline Lamaison [France]
Daniel Abreu [Spain]
David Wampach [France]
Emma Martin [Ireland]
Eric Minh Cuong Castaing / Cie. Shonen [France]
Eugénie Rebetez [Switzerland]
Fabrice Lambert [France]
Fearghus O’Conchuir [Ireland]
Frauke Requardt [United Kingdom]
Gunilla Heilborn [Sweden]
Hafiz Dhaou and Aicha M’Barek / Cie Chatha [Tunisia/France]
Helena Franzén [Sweden]
Hooman Sharifi [Norway]
Ioannis Mandafounis & May Zarhy [Switzerland/Greece]
Itamar Serussi [Israel/The Netherlands]
Jasmina Križaj [Slovenia]
Jefta van Dinther [Sweden/Germany]
Julia Cima [France]
Jurij Konjar [Slovenia]
Kaori Ito [Japan/Germany]
Leja Jurišić [Slovenia]
Lili M [Slovenia]
Liz Roche [Ireland]
loscorderos [Spain]
Luca Silvestrini / Protein [United Kingdom]
Magali Milian & Romuald Luydlin / La Zampa [France]
Mala Kline [Slovenia]
Marcos Morau / La Veronal [Spain]
Marie-Caroline Hominal [France/Switzerland]
Maud Le Pladec [France]
Patricia Apergi / Aerites Dance Company [Greece]
Perrine Valli [Switzerland/France]
Pia Meuthen [The Netherlands]
Qudus Onikeku [France]
Sofia Dias & Vítor Roriz [Portugal]
Tânia Carvalho [Portugal]
The Loose Collective [Austria]
The Mob [Sweden/Denmark]
Tina Tarpgaard [Denmark]
Tina Valentan [Slovenia]

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An artistic model: a community of European dance artists

Based on artistic criteria, each modul-dance project partner proposed an artist in the three selection processes that have taken place (2010, 2011 and 2012).

All the proposed artists were invited to a meeting with all the partners and artists in order to present their project and see how modul-dance could support the creative process.

The proposed artists became modul-dance selected artists if more than 3 dance house partners were interested in collaborating in their projects.

After three selections, modul-dance now hosts a community of 52 European artists. It offers them a framework to create and present their work, linking diverse proposals, aesthetics and sensibilities under the same umbrella and providing regular interaction and exchange of ideas.

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