WTF: un evento mega interesante!!

Os adjunto aquí la información de un evento de artistas independientes en Bruselas…. LO MÁS!!

*****

Last week we received a GO from Beursschouwburg to organize an independent artist event on JUNE 12, from 1-10pm. We dedided to call it WTF, three letters we can use as a container for whatever we feel needed: Whatever The Frustration, Where’s The Fun, What The F***, Who’s The Funder, What’s The Foundation, Where’s The Festival, Where TFocus, Win The Fight, Wiggle Tickle Fiddle…
WTF
WTF will be a festive event in which we want to manifest our concerns about the current precarious situation of independent artists. As economic priorities cut away even more funding from the arts – and especially from the more fragile project based work – we feel urged to organize a symbolic event. Instead of spending time developing our own individual work, we want to express our solidarity and support one another. Over 9 ongoing hours we invite ALL independent artists to present excerpts of past material, or work that has not found enough pathways to be visible, to create new work especially for the occasion, to improvise together, and to formulate and join in open proposals… It will be an eclectic mix of dance, theatre, performance, video, installations, performance lectures and music where one artist at the end of the day will receive all the proceeds.

Apart from expressing solidarity this event is intended to manifest our concerns about the current situation in the performing arts.

  • the cutting and freezing of project subventions,
  • the ongoing institutionalization including more bureaucratic administration
  • the role of workspaces in our artistic field,
  • the lack of sustained support from the creation stage to end product,
  • the growing thematic festivals that do not include all work being produced,
  • the precariousness of a big artistic community that is neither young & emerging nor established,
  • the language barrier that still cuts Brussels in two while in reality the performance arts scene is very international
  • the dependency of artists on state subventions and on institutions to produce and present their work.

This is how the event will work: The audience gives what they want (a minimum of 5 euros) which goes into a box which lets them come and go throughout the day. All proceeds raised from the bar will also go into the box. All artists that are present during the day and participate either on stage or with a video installation we ask to also give 5 euros and put their name into the box. At 9.00pm one artists name will be drawn out to receive all the proceeds raised during the day for their future research and/or performance.

WTF is being precipitated by the changes in WorkSpaceBrussels which until recently (and hopefully will continue to be hereafter) was an organization that supported independent artists. WTF is initiated by some artists affiliated with WSB but by no means is reserved for them only. All artists who feel affiliated with our cause are welcome to participate. Independent artists are young & emerging artists, but also artists who choose a less predictable path, people who make time for autonomous research, career shifts and risk, artists without a back office to support them, freelance researchers and dramaturges, people with multiple identities.
HOW TO PARTICIPATE?

We hope to make a fluid, organic, 9 hour performance where ideas and proposals flow in and out of one another and actions occur at the same time. There is no specific selection of the works presented during the event so please feel free to join by any format : video (Installations or finished pieces) or perform excerpts, works in progress, or new proposals on the stage or in the space. We embrace any political/ artistic gesture to draw attention to the concerns mentioned above.
How could you be part of it? You could simply show up on June 12 and be inspired by the moment, or you could add your name and proposals to the wikispace:  http://w-t-f.wikispaces.com. The schedule and time frames are just a guide, so feel free to add yourself wherever you want and be open to whatever happens on the day. Think of it as an Open Improve where we know certain actions are going to occur during the day, but we don’t quite know how to get into them, or out of them, but we know they will occur.
The Golden Room of Beursschouwburg will be open for us on Thursday (1-6pm), Friday (10am-6pm) and Saturday (12-1pm) for rehearsals, set ups and try outs.

For video, sound or installation contributions, please contact: kdesault@gmail.com
For special needs for your performance, please contact: randomscream@hotmail.com
For general questions, please contact: kristien.vandenbrande@gmail.com
HOW TO SUPPORT WTF?

LOGISTIC SUPPORT: The more help we have at the bar, at the entry, back stage,… the better! Please add your name and contacts to this schedule if you want to do a one hour shift: http://w-t-f.wikispaces.com/Shifts+for+bar+and+so+on.
COMMUNICATION: We hope to reach all independent artists, journalists and writers, programmers, the minister of Culture, Commission members, and of course a big audience. Please copy this message and send it to your contacts, print the flyer from the wikispace (http://w-t-f.wikispaces.com/Spread+the+news!!!), invite people to WTF*!? via Facebook,…
COLLECTIVE WRITING: On the ‘homepage’ of our wikispace we will open a discussion forum where you can post and discuss all your concerns. We will install two computers in Beursschouwburg, but you can also participate in the discussion from at home. This could become a publishable text, a manifeto, a letter with recommendations to the minister of Culture…
Beursschouwburg will be open for us on Thursday (1-6pm), Friday (10am-6pm) and Saturday from 12am on. Just pass by!!
Monday June 7: CULTUURFORUM in Vooruit, Ghent
At 4pm the debate is open and at 4.15 the minister of culture speaks. Around this time wil will anounce our WTF-event and invite everybody to come. Since independent artists are not well represented, it would be good to represent ourselves and be there with as many as possible. We’ll also hand out flyers.


Hope to see you tomorrow (June 7) and for sure on Saturday in Beursschouwburg!!!
WTF-team
IAA (Independent artist alliance)
WTFflyer
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Post-Dialogue # 8

Post-Diálogo # 8

Combatir el pensamiento – La Rimaia – Espai en Blanc

29.4.2010

Transversalidad?

¡Qué cansino! Creo que ya no creo en la transversalidad, la pedagogía horizontal y todo este discurso… vamos a aceptarlo y dejémonos de protegernos con este escudo moral y ético para auto convencernos de que lo que hacemos lo hacemos bien, bajo unos códigos de respeto y diálogo óptimos y alternativos que promueven la emancipación del otro.

Parece que el término ya ha entrado en el terreno de la legalidad, ya no es un concepto que puede promover lo subversivo, la otroriedad. Incluso las grandes instituciones se lo han apropiado en su discurso para ofrecer una cara más buena y progresiva.

Radicalidad? Bueno, tampoco. Quizás simplemente amplificación (y abuso) de los roles y las convenciones para dar visibilidad y provocar así el deseo hacia la emancipación. Y siendo emancipados poder desear, jugar y aprender siendo sumisos –por ejemplo… pero claro, siendo conscientes de ello.

Quizás otra manera de darle la vuelta a la tortilla, por enésima vez, o rizar el rizo, que pronto más bien tendrá la apariencia de un pelo afro!

O quizás simplemente por el vicio de cuestionar, del preguntar continuamente porqué y así ir avanzando poco a poco, afirmándote algo que en un tiempo destruirás, y con placer.

Después de tanto tiempo dándole vueltas a esto de la investigación pedagógica, intentando proponer alternativas, de golpe y porrazo me veo asesinando mis propios principios y me doy cuenta que quizás no era más que una simple armadura o máscara de buenismo para evitar el conflicto.

Y es que parece que aprender es conflictivo; y el acto pedagógico un acto violento, como el amor.

Y hoy me afirmo esto, desde mi subjetividad, para mañana darle la vuelta o, mejor dicho, para salir de esta dualidad, doblarlo una curvita más en este espiral llamado conocimiento… hmmmmmm… será esto?

Hoy será… mañana ya se verá!

**** Este Post-Diálogo forma parte de un proyecto de escritura iniciado por Aimar Pérez Galí.  Si queréis leer otros diálogos y post-diálogos pinchar aqui.****

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This is a performance.

Huevos y bombas de humo en el Parlamento ucranio

Protestas_exteriorpelosPeleas_toda_salaLluvia_huevosIncidentes_principioDebajo_paraguasAcuerdo_Rusia20100427elpepuint_2020100427elpepuint_1920100427elpepuint_10

Leer la noticia en El País

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V Encuentros en Magalia

Estimado amigo/a o exmagaliano,

Te envío la convocatoria de los V Encuentros en Magalia, dirigida a creadores, colaboradores y ejecutantes de nuevas tendencias escénicas. Este año los V Encuentros en Magalia presentan algunas novedades:

– Se atrasan al mes de septiembre, del 15 al 26 de septiembre.
– La convocatoria se abre a diferentes colectivos según el rol que se desempeñe en los Encuentros; por un lado, están los creadores-generadores de proyecto (encargados de proponer los proyectos a investigar); por otro, los creadores-colaterales (una mezcla entre técnico y creador que colabora con la organización y con los creadores-generadores de proyectos). Este año incorporamos a las figuras colaterales habituales (músico o artista sonoro, diseñador de iluminación o generador de ambiente escénico y artista visual) y un cuarto rol: el dinamizador de contenido teórico, con el objetivo de generar discurso sobre las nuevas tendencias escénicas. Por último, mantenemos la figura del creador-ejecutante (actor, bailarín, etc.).

Te animo a participar o, en cualquier caso, a reenviar la convocatoria a todos aquellos de tus contactos que puedan tener interés.

http://www.redteatrosalternativos.com/docs/mbases2010.pdf
http://dl.dropbox.com/u/3623743/proyectos/magalia/2010/docs/mbases2010.pdf

Por último te recuerdo el plazo para presentar proyectos:

Martes 4 de mayo

Más información:
V Encuentros en Magalia
Red de Teatros Alternativos
915 226 940
magalia2010@redteatrosalternativos.org

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Bruce Nauman: performances 1968-69

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John Baldessari sings Sol Lewitt’s ‘Sentences on Conceptual Art’

Publicado en General | 1 comentario

Judith Butler en el CCCB 7 abril 2010, 19.30h

Judith Butler / Violència d’estat, guerra, resistència. Per una nova política de l’esquerra.

Conferència al CCCB, Dimecres 7 d’abril de 2010, a les 19.30h

www.cccb.org

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Lección de Punset a nuestra ministra de cultura

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Telephone

Lo nuevo de Lady Gaga, en colaboración con la fantástica y querida Santa Beyoncé!

Será que todo lo que toca lo masteriza!

Los vestuarios son increíbles… Ole al diseñador! Yo me quedo con los rulos de lata y las gafas de cigarrillos… aunque las uñas de la bandera americana no tienen desperdicio alguno!

Disfrutad!

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a.pass (advanced performance and scenography studies) CALL FOR PROJECTS

IF

you are working in the performing arts and want to start an artistic research in a professional research environment, free from production constraints,

OR

if the concepts of performativity or/and scenography are (relatively) new to you and you want to explore them in depth,

THEN

a.pass (advanced performance and scenography studies) can offer you a one year post master program in which you develop your performative or scenographic research project.  In a context of self-education and collaboration you create a personal trajectory through workshops, individual mentoring and interaction with the other participants. At the end of this period, you present and communicate your research.

BESIDE

the post master programs, a.pass invites artists and theoreticians – possibly engaged in a PhD in the Arts –  to develop independent artistic and transdisciplinary projects producing knowledge and tools relating to the key issues of the a.pass programs.

>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>

‘CALL FOR PROJECTS’

for more information on the a.pass programme,

application, selections, admission

>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>

a.pass (advanced performance and scenography studies)

is an artistic research environment on post-master level, containing two study programmes: a.pt and a.s.

a.pt (advanced performance training) is mainly aimed at artists and theoreticians with a proven experience in developing work in or on the performance field (apart from the usual suspects, also musicians, visual artists, architects, political and social scientists, critical theorists, actionists, etc. with a trajectory in the performance field). a.pt addresses participants who want to question their own work, re-evaluate their trajectory or explore a fascination that doesn’t fit institutional standards.

a.s (advanced scenography) welcomes artists and theoreticians who want to investigate the notion of scenography on and off the stage. The programme offers a practice-based artistic and theoretical program and addresses professionals trained in architecture, (interior) design, visual arts, graphics, etc. a.s also addresses directors, choreographers, costume designers and performers who want to expand their thinking about and experience within scenography.
Target applicants

a.pt (advanced performance training) is mainly aimed at artists and theoreticians with a proven experience in developing work in or on the performance field (apart from the usual suspects, also musicians, visual artists, architects, political and social scientists, critical theorists, actionists, etc. with a trajectory in the performance field).

a.s (advanced scenography) welcomes artists and theoreticians  who want to investigate the notion of scenography on and off the stage. The programme offers practice-based artistic and theoretical input and addresses professionals trained in architecture, (interior) design, visual arts, graphics, etc… Also directors, choreographers, costume designers and performers who want to expand their thinking about scenography, are welcome.

Call for projects & applications

The artistic-pedagogical process of a.pass always starts with an international call for projects aimed at artists and theoreticians. Respondents to this call for projects have to outline an artistic research project which ties in with their own artistic or theoretical background. The proposal should also clarify the relevance of the research towards the applicant’s artistic and/or theoretical development.

Required qualities of the research proposal

To apply for either a.pt or a.s, we ask you to send us a proposal for a research project. Your application is meant to give us a clear insight in what you aim to achieve in your 12 month-working period, the relevance of your project, and your willingness to open up your personal research to the critical platform of the a.pass participants.

Your proposal should consist of:
1) a clear text describing the general outline of your project, including a detailed planning of the first 3 month working period  (central question, proposed research trajectory, initial proposed methodology, what media would you like to work on, …).
2) the relevance of this project to the development of your practice or knowledge production of the performance field or scenography in particular.
3) a proposal on how to develop and communicate your research to your fellow participants, and a wider audience (what formats you would like to explore, how you would like to archive your trajectory and make it available to your professional colleagues and the public)
4) the material, you think, best illustrates your past achievements  and/or your artistic talents: DVD’s, photos, texts, reviews, port folio, drawings, paintings, scale models, etc.
5) a recent curriculum vitae including information on your master diploma (what, obtained where, date of issue) or on the highest diploma obtained.
Candidates who are not holder of a master degree, should pay special attention to including also a relevant biography and material illustrating at least three years of qualitative experience working in or around the artistic sector.
6) your contact information (full name, date & place of birth, nationality, address, phone numbers)

Visit www.apass.be for more information on and examples of a.pass research projects!

Feel free to contact us with questions.

Deadline 1st of May 2010

for start in september 2010

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